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Karatay Madrasa (Museum of Tile Works)

Turkey Madrasa and tomb

Karatay Madrasa (Museum of Tile Works)

Photo: Satirdan kahraman

Built in 1251-52 for the vizier Celaleddin Karatay, this Seljuk madrasa in Konya has a tiled dome open at the top and now houses the Museum of Tile Works.

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Karatay Madrasa (Museum of Tile Works) is a place (Madrasa and tomb) in Turkey, Konya. Main periods: Seljuk Period.

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The courtyard of the Karatay Madrasa is roofed by a dome, but its crown is left open in a five-metre gap, and light and air drop through it onto a square pool below. Facing the Alaaddin Hill in Konya, the building holds some of the finest Anatolian Seljuk tilework and today serves as the Museum of Tile Works.

History

Emir Celaleddin Karatay, vizier to the Seljuk sultan Izzeddin Keykavus II, had the madrasa built in 1251-52. Its architect is not certain; Muhammed bin Havlan has been suggested. In the Seljuk period it taught hadith and Quranic commentary. It continued in use under the Ottomans and was abandoned late in the 19th century. It opened as the Museum of Tile Works in 1955.

Architecture

The one-storey building stands on a rectangular plot oriented east to west and follows the closed-courtyard plan, with rooms ringing a domed court. The east front, where the entrance is, is cut stone; the other walls are rubble, with brick in the upper walls, the zone of transition below the dome and the vaults. The crown portal in blue-grey and white marble breaks with custom by sitting off the centre of the wall. Inscriptions, geometric and floral patterns are carved in relief on it. Opposite the entrance across the court is the iwan, a vaulted hall open on one side to the courtyard, here with a barrel vault. One of the cells beside it, domed, is the tomb of Celaleddin Karatay.

The real glory is in the tile. Hexagonal turquoise tiles once covered the iwan and the lower court walls. Tile mosaic in turquoise, navy and black still survives on the doorway tympana, the upper walls, the triangular pendentives under the dome and the dome itself, with inscriptions and floral and geometric motifs. Four prophets, listed as Moses, David, Jesus and Muhammad, and the four caliphs are named in the pendentives, and the arch of the iwan bears the basmala and the Throne Verse. Much of the wall mosaic has fallen away. In the 1970s the northern and southern rows of student cells, which had fallen into ruin, were reconstructed.

The museum collection

The museum shows tiles and ceramics of the Seljuk, Beylik and Ottoman periods. Its best-known group comes from Kubad-Abad Palace on the shore of Lake Beyşehir, cross-shaped, half-cross, eight-pointed star and square tiles made in lustre and underglaze techniques; lustre gives a metallic sheen. Plaster decoration, tile plates, lamps and unglazed pottery are also displayed. Konya museum director Zeki Oral found Kubad-Abad in 1949; test trenches followed in 1952, 1965-66 and 1967, and systematic excavation under Prof. Rüçhan Arık began in 1980.

UNESCO Tentative List

In 2014 Karatay was placed on the Tentative List with other major Seljuk madrasas of Konya, Kayseri, Erzurum, Sivas and Kırşehir under the heading Anatolian Seljuk Madrasas, citing criteria (ii) and (iv). It is not on the World Heritage List.

Visiting

Hours and fees can change; check the page on muze.gov.tr. The MüzeKart is valid for Turkish citizens.

Frequently asked questions

Where is the Karatay Madrasa?
In central Konya at Ferhuniye, opposite Alaaddin Hill.
Who built it and when?
Emir Celaleddin Karatay, vizier of Sultan Izzeddin Keykavus II, in 1251-52. The architect is uncertain.
What is it used for today?
It has been the Museum of Tile Works since 1955, showing Seljuk, Beylik and Ottoman tiles and ceramics.
What is the opening in the dome for?
The five-metre gap lets light and air into the courtyard. A square pool sits beneath it.
What are Kubad-Abad tiles?
Cross, star and square tiles from Kubad-Abad Palace on Lake Beyşehir. They are among the museum's most important holdings.
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